Thomas Moore (1779-1852)
On a rainy day last weekend I was sitting around with nothing much to do and I started thinking about the origins of a now common term--hell's bells--thanks to a ringtone I heard go off. I began wondering from whence it came. And having the sometimes curse of a quizzical nature, and much time on my hands, I set about to find out.
For the risk of sounding like the title of an Ayn Rand novel, we the living have heard the popular AC/DC rock tune "Hell's Bells." Surely AC/DC was not the first to use the phrase. Like many classic terms and phraseologies, I knew it had to come from literature. But when?
The Bible tells us hell is a place of eternal damnation where the worm does not die and the fire is never quenched. That doesn't sound like a place that has chiming bells. I also knew that I did not uncover the first use in my research on Dante's The Divine Comedy for The Divine Dantes trilogy.
My guess was that it came out of nineteenth century literature; perhaps by Edgar Allan Poe. I reread his poem "The Bells" and it was nowhere to be found. I finally found it used in an unexpected place. I was right about it being in the nineteenth century, but I expected it from a horror author.
Instead, I found it used by Thomas Moore (a very un-horror writer) in his "Tom Crib's Memorial to Congress," published in March 1819. Tom Crib was a well-known pseudonym of Thomas Moore, who was an Irish entertainer and poet. His memorial poked fun at an inept congress and included the following great lines:
Seeing as how, I say, these Swells
Are soon to meet, by special summons,
To chime together like “hell's bells"
And there you have it. The first use of "hell's bells" in literature was not by Edgar Allan Poe or H.P. Lovecraft. It was by an Irish poet named Thomas Moore.
